Award of Excellence – “Brilliance” (Netherlands | Poland | UK)

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Title: Brilliance
Runtime: 13 min
Country: Netherlands | Poland | UK
Director: Miles Roston
Writer and Lead Producer: Matthew Curlewis
Placement: Award of Excellence
Competition: September 30, 2016

Synopsis: In twelve minutes of real time in and around a city square, six lives collide in a flash of sunshine, bullets and jewels.

WRITER AND LEAD PRODUCER Q&A

OR: What was the inspiration for your film?

MC: Two things: One week a few years ago, my jewelry-dealer partner bought an incredible piece of jewelry at an auction – a real work of art. In that same week I saw a film in which the lead character was a trained assassin, about to complete his last ‘job’. During the film however, the high-powered rifle he would use was shown in beautiful light – it was glamourised and fetishised into being a desirable object – and frankly I came out of the movie pretty sickened. I thought, do we HAVE to show guns – that are getting used to kill people – in such a glowing, gorgeous kind of light? Doesn’t America already have enough problems with guns than to do this?

So I thought – what if I combine the two things from this week into one story? What if I show a jeweler making an extraordinary, exquisite piece of jewelry – and then somehow use this creative act of the jeweler’s, as a way of overcoming or defeating a bullet and/or a gun? And then add in a few more characters who get caught in the crossfire, so to speak, of these events?

OR: When did you conceive the idea for your film and how long did it take before it was realized?

MC: I conceived of the idea in about 2012, and wrote the script. It wasn’t until April of 2014 that I secured a director to accompany me on the journey. We also then had to secure locations and an associate and co-producer. I live in Amsterdam, but we shot the film in Krakow, Poland, in August 2014. We flew four actors in from London, plus a bunch of us went from Amsterdam. It then took until January of 2016 before we had the final, final version of the film complete.

OR: What was the most challenging aspect of working in a short film format?

MC: Trying to squeeze what is probably enough story for an entire feature film, into only 12 minutes! But additionally, because no one expects to earn any money from a short, it’s also hard to raise money for a short – people can’t ‘invest’ in the sense of ‘expecting a return’ – they can only invest because they believe in you and your story and the intention of your project.

OR: What was the most challenging aspect of your production?

MC: The enormous burden of financial and logistical pressure. We only had three days to shoot, in a too-large public square with not enough crowd-control, and we were weather-dependent. If things went wrong, my actors had to fly back to London on the fourth day. We HAD to get our footage – that was sure energising and challenging on the one hand, but also very, very stressful.

OR: Do you have any advice for first-time filmmakers?

MC: Make the story you believe in, that if you DON’T make, wont allow you to live with yourself.

I SHOULD say: come up with a smart, unusual story that has a minimal amount of characters and locations, and just get a film made and out there. But I haven’t followed this advice in the slightest. I made a three country co-production that was shot in a country half way across Europe from where I live, with enormous complications and pressures and obstacles and risks. Would I do it again tomorrow? No. Not in the way that I did. But I wouldn’t have learned all the things it taught me without having actually done it! So… do what you believe in!